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Mozart & Da Ponte admirably reinvented for a small stage: Wild Arts intimate & vividly engaging account of Mozart’s The Marriage of Figaro at Layer Marney Tower
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Mozart & Da Ponte admirably reinvented for a small stage: Wild Arts intimate & vividly engaging account of Mozart’s The Marriage of Figaro at Layer Marney Tower

Written by Planet Hugill June 8, 2026 Mozart: The Marriage of Figaro ; Elinor Rolfe Johnson, Timothy Nelson, Ellie Neate, Jack Sandison, Abbie Ward, director: Danielle de Niese, conductor: Orlando Jopling, Wild Arts; Layer Marney Tower Reviewed 7 June 2026 Danielle de Niese makes her directorial debut, encouraging a fine cast to give us a...

The Marriage of Figaro review
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The Marriage of Figaro review

Written by Flora Willson June 7, 2026 Brutish … the Count (Timothy Nelson) sweeps up Susanna (Ellie Neate) as Cherubino (Abbie Ward) looks on Photograph: Lucy Toms Wild Arts Summer Opera festival, Layer Marney Tower, Essex A touring show was quite a challenge for the opera star’s first directorial gig, but dynamic singing, charismatic orchestral...

Relishing the challenge: during rehearsals for their forthcoming production of The Marriage of Figaro I chat to Orlando Jopling about Wild Arts’ ambitious touring plans
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Relishing the challenge: during rehearsals for their forthcoming production of The Marriage of Figaro I chat to Orlando Jopling about Wild Arts’ ambitious touring plans

Written by Planet Hugill May 30, 2026 Wild Arts is a small but dynamic company that presents music and opera, touring from its base in Essex, under artistic director and founder Orlando Jopling . This year the company presenting a new production of Mozart's The Marriage of Figaro with Danielle de Niese making her directorial...

The superstar soprano saving opera
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The superstar soprano saving opera

Written by Emily Baker June 5, 2026 Soprano and now opera director Danielle de Niese. 'The learning curve has been absolutely wild, but also fascinating and exciting,' she says (Photo: grace@rdmr.co.uk) Danielle de Niese on making her debut as a director with 'The Marriage of Figaro' – and how opera can thrive in the face...